Author: Derrick Weston
Derrick Weston is an EDM Journalist for Night Streak.
Derrick’s been an EDM enthusiast since 2007.
-
The building is still there. Armin van Buuren pointed at it from the stage at The Loft Amsterdam, and for a moment the room went slightly quieter — the way crowds do when something stops being a show and gets real. Twenty-five years ago, somewhere inside or near that structure, he hosted the first episode…
-
Why This EDC Las Vegas Set Felt Different Legacy acts at electronic music festivals tend to follow one of two trajectories. They perform the museum version of themselves — comfortable, celebrated, coasting — or they remind you why they built the room that everyone else is playing in. At EDC Las Vegas 2026, Oakenfold took…
-
When the Bass Hits Different Under the Electric Sky Few sets at EDC Las Vegas 2026 will be remembered the way FISHER’s was. That’s not a dismissal of the other 200-plus artists who played across 17 stages over three nights — it’s a recognition that occasionally a performance lands at a frequency the room wasn’t…
-
kineticFIELD has a habit of exposing DJs. The screens are wide enough to watch from a quarter mile back, the sound system makes loose dirt feel pressurized underfoot, and the sheer scale of the production can carry a hollow set further than it deserves. Some artists show up and let the stage do the work.…
-
Nobody opens an EDC main stage set with Radiohead. That particular Thom Yorke vocal — searching, off-center, emotionally unresolved — belongs to a different register than a sold-out Las Vegas Motor Speedway at full Friday-night fever. Zedd did it anyway. His remix of “Everything in Its Right Place,” layered over the Tommy Trash rework of…
-
The thing about Above & Beyond is that they have never been the obvious headliner choice for EDC. Not a criticism — it’s actually the point. Trance doesn’t behave like house at a festival. It requires patience from a crowd, and patience is not a festival’s natural state. The 2026 set tested that immediately. The…
-
Some sets end when the music stops. Mochakk’s Coachella 2026 performance does not. The Brazilian DJ and producer took the Sahara Stage and turned it into something the desert will not forget quickly — a slow-burning, percussion-driven, afro house masterclass that moved a packed tent as one body. If you were there, you know. If…
-
Mahmut Orhan at Coachella 2026 had a 75-minute window inside the Yuma tent. What he did with it turned a packed room of electronic music devotees into something closer to a congregation. The Yuma has always been Coachella’s open secret — no daylight, no distractions, just floor-to-ceiling sound and a crowd that showed up knowing…
-
Franky Rizardo at Coachella 2026 was not background entertainment. The Quasar Stage does not ask for your attention — it takes it. On April 17, Weekend 2, Rizardo stepped behind the decks at 7:00 PM and held that crowd for two straight hours as the California sun surrendered to full desert dark. Bass-driven rhythms built…
-
When the Opening Is the Argument Not a gradual build. Not three warmup records designed to ease thousands of people into the idea that the night has started. John Summit steps into his EDC Las Vegas 2026 kineticFIELD slot and drops “Shiver” — the track he made with HAYLA — before most of the crowd…